Modifying the AE lock Figure 2

Disabling AE lock

I’ve always loathed the Epson R-D1’s shutter-speed-dial lock button: It’s one of the camera’s few poor ergonomic points. It’s unnecessarily awkward to both press and turn the shutter-speed dial, and redundant: If the exposure is incorrect because the dial isn’t set to AE, the shutter speed blinks in the viewfinder to alert you.

Do not attempt to perform any operation on your Epson R-D1 unless you are comfortable with the procedure(s). Please read the disclaimer.

The solution

There are various ways to disable the AE lock button, all of which necessitate removing the top plate from the R-D1.

My method was to permanently depress the mechanism using a piece of rubber—ensuring it was securely placed and couldn’t work loose and fall into my camera’s innards (Figure 1). The rubber ‘jam’ was circular, about 1 mm thick and 3 mm wide, with a hole drilled through the middle. After removing the top plate, I undid the screw holding the AE lock button assembly together, and placed the rubber ring over the lock button shaft, directly under the plate held on by the screw, so that the button is permanently depressed.

Modifying the AE lock Figure 1

Figure 1. The AE lock button from inside the top plate. The AE lock button screw and plate under which I placed a piece of rubber to depress the button are arrowed.

Whilst the top plate was off, I made the overly stiff shutter-speed dial easier to turn. On examining the dial mechanism, you will notice that the tension is produced by a leaf-type spring with a triangular section that locates in indentations on the dial (Figure 2). I made the slope of this triangular section slightly less steep, so that the dial turns more easily whilst still being difficult to move accidentally (e.g., when adjusting the ISO).

Modifying the AE lock Figure 2

Figure 2. Reducing the tension of the arrowed spring will make the shutter dial easier to turn.

I then painted the AE shutter-dial mark (arrowhead plus ‘AE’) with artists’ red acrylic paint, so it’s more obvious when the AE setting is selected. Be as accurate as possible when painting; then, when the paint has dried, abrade the excess off by rubbing with a piece of paper moistened very slightly to provide a little friction.